@ARTICLE{Kunz_Tomasz_Marcin_2023,
 author={Kunz, Tomasz},
 number={No 6 (381)},
 journal={Ruch Literacki},
 pages={955-964},
 howpublished={online},
 year={2023},
 publisher={Polska Akademia Nauk Oddział w Krakowie Komisja Historycznoliteracka},
 publisher={Uniwersytet Jagielloński Wydział Polonistyki},
 abstract={Marcin Świetlicki is a poet who keeps publishing his poems in traditional book form and, more recently, a performance artist busy recording and marketing their audio/ musical versions. Clearly, he operates in two separate cultural spheres and has to play two rather different character roles. Similarly, his works come in two variants – the visual and the acoustic, or the written and the voiced – which are by no means isomorphic. This article looks at the functioning of the latter element, and in particular the reception of the audio poetic work by way of listening experience. It involves a psychosomatic balance is occasionally disturbed by deliberate shifts from one narrative order to the other, the world of which one tells to the world in which one tells. To explain the functioning of such transgressions this article draws on the notion of metalepsis in the sense which it has acquired in modern narratology.},
 type={Artykuł},
 title={Marcin Świetlicki’s Mortal songs: Voice, scriptorality, metalepsis},
 URL={http://so.czasopisma.pan.pl/Content/132429/PDF/06_Ruch_Literacki_2023_06.pdf},
 doi={10.24425/rl.2023.151170},
 keywords={Polish contemporary poetry, voice and scriptorality, body, metalepsis, MarcinŚwietlicki (b. 1961)},
}