@ARTICLE{Bogalecki_Piotr_Let_2023,
 author={Bogalecki, Piotr},
 number={No 6 (381)},
 journal={Ruch Literacki},
 pages={937-954},
 howpublished={online},
 year={2023},
 publisher={Polska Akademia Nauk Oddział w Krakowie Komisja Historycznoliteracka},
 publisher={Uniwersytet Jagielloński Wydział Polonistyki},
 abstract={This article outlines and discusses the main problems in the analysis of score-poems – experimental poetic texts incorporating or imitating musical notation – on the basis of a handful of hitherto unexamined score-poems collected form the archives and niche arts publications. The score-poems of Janusz Skarżyński (who also wrote under the pen name Anonim Cybernetysta), Bogusław Michnik and Piotr Rypson are examined on two levels, literary history and theory of literature. A comparative analysis of the score-poems produced in the 1960s, 1970s and 1980s reveals a shift from text-dependent linearity towards polylinearity and innovatory graphics. Moreover, subsuming the score-poems under the rubric of intermedia (home to multiple voices with a problematic function and status) opens them up for the appropriate research probes.},
 type={Artykuł},
 title={Let all voices ring: Score-poems in the audiosphere of the Polish neo-avant-garde},
 URL={http://so.czasopisma.pan.pl/Content/132428/PDF/05_Ruch_Literacki_2023_06.pdf},
 doi={10.24425/rl.2023.148325},
 keywords={Literaure and music, experimental poetry, score-poems, neo-avant-garde, Janusz Skarżyński, Bogusław Michnik (b. 1945), Piotr Rypson (b. 1956)},
}