The article is dedicated to the determination of the types and functions of “someone else’s word”, i.e. intertextual relationships, present in political dramas of contemporary Russian writers. The author focuses on two types of intertexts such as quotes and allusions; determines their importance to the dramatic work as a whole, and distinguishes topic-related groups of texts to which dramatists refer. The conclusions of the study incline to place the phenomenon of political drama between what is “literary” and “social”, “eternal” and “up-to-date”.The analysis was carried out on the materials of dramas such as: Putin.doc by Victor Teterin, Sentry (Часовой) by Siergiej Reshetnikov, Meat by Olga Pogodina, and Beria by Dmitry Karapuzov.
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